The New York Times
A version of this article appears in print on Jan. 28, 2022, Section B, Page 11 of the New York edition with the headline: Don Wilson, 88, Ventures Guitarist Who Gave Group Its Rhythm, Dies.
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The author Neil Genzlinger is a writer for the Obituaries desk. Previously he was a television, film and theater critic. @genznyt • Facebook
Don Wilson, Who Gave the Ventures Their Distinctive Rhythm, Dies at 88
He was a founder, with Bob Bogle, of what has been called the best-selling and most influential instrumental band in rock ’n’ roll history.
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| Don Wilson, left, and Bob Bogle, the co-founders of the Ventures, in a publicity photo from the early 1960s. The group was just the two of them at first, Mr. Bogle playing lead and Mr. Wilson playing rhythm. (Michael Ochs Archives/Getty Images) |
By Neil Genzlinger
Jan. 27, 2022
Don Wilson, co-founder of the instrumental rock group the Ventures, whose twanging, hard-driving sound, propelled by his dynamic rhythm guitar, led to hits like “Walk — Don’t Run” and helped shape the surf music of the early 1960s as well as influencing generations of guitarists, died on Saturday in Tacoma, Wash. He was 88.
His daughter Staci Layne Wilson confirmed the death, at a hospital.
Mr. Wilson and Bob Bogle formed the group that became the Ventures in the late 1950s and had been having modest success performing in the Seattle area when, with Nokie Edwards on bass and Skip Moore playing drums, they recorded “Walk — Don’t Run” in March 1960. It was their version of a song by the jazz guitarist Johnny Smith that had previously been recorded by Chet Atkins.
The group had already released one 45 r.p.m. record, having formed their own label, Blue Horizon, with the help of Mr. Wilson’s mother, to do it. But that first record didn’t generate interest, and neither did “Walk — Don’t Run,” until they played it for Pat O’Day, who had the afternoon show on the Seattle radio station KJR. He smelled a hit.
The station always played an instrumental leading into its newscast at the top of the hour, but without introducing it, Mr. O’Day said in an interview for “Sonic Boom! The History of Northwest Rock, From ‘Louie, Louie’ to ‘Smells Like Teen Spirit,’” a 2009 book by Peter Blecha. “So we put it on every hour as that filler there,” he said, “and of course you know what happened after that.”
What happened was, callers flooded the station wanting to know what that catchy record was. One of the callers was from Dolton Records, which had earlier turned away the fledgling Ventures. Dolton signed them, and soon the record reached No. 2 on the Billboard Hot 100 chart. It stayed on that chart for months and became one of the most recognizable songs of the era.
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| Mr. Wilson spoke when the Ventures were inducted into the Rock & Roll Hall of Fame in 2008. With him were, from left, John Durrill, Fiona Taylor (the band’s manager), Bob Spalding, Nokie Edwards and Leon Taylor. (Dimitrios Kambouris/WireImage) |
The group went on to have a number of other successful singles, most notably its version of the theme from the television series “Hawaii Five-0,” which made the Top 10 in 1969. The lineup shuffled a bit — Mr. Bogle, who died in 2009, switched to bass; Mr. Edwards, who died in 2018, was the better player and became lead guitarist; and Mel Taylor, who died in 1996, settled in as drummer. Mr. Wilson pounded out his rhythm accompaniments for 55 years, turning over the job to Ian Spalding, son of another current member, Bob Spalding, during a show in Tokyo in 2015.
In 2019 the Grammy Museum mounted an exhibition in honor of the group, calling the Ventures “the most influential, best-selling instrumental band in rock and roll history.” The group, the exhibition said, has recorded more than 250 albums, including a series of instructional records aimed at novice guitar players.
Leon Taylor, Mel’s son, is the Ventures’ current drummer and had a close-up view of Mr. Wilson’s impact.
“Don has been a part of my life since I was a little kid,” he said by email.
“Don was a unique talent that influenced thousands of guitar players all over the world.”
Mr. Blecha, too, cited the group’s influence on would-be guitar players, as well as its chutzpah in putting out its first records on its own label when no one else would, something rare for the time.
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| The Ventures in 1999, from left: Gerry McGee, Mr. Taylor, Mr. Bogle and Mr. Wilson. (Richard E. Aaron/Redferns via Getty Images) |
“But beyond all that,” he said by email of Mr. Wilson in particular, “you just gotta admire a musician who carved out such a lucrative and impactful career playing mainly rhythm guitar. Guys who have accomplished that comprise a rather short list.”
Donald Lee Wilson was born on Feb. 10, 1933, in Tacoma to Woodrow and Josie Wilson. His father was a car salesman, and his mother became a record producer and was key to the band’s early success.
“When I was younger I wanted to learn how to play the trombone,” Don Wilson said in an interview for “The Ventures: Stars on Guitars,” a 2019 documentary film directed by his daughter Staci. “I thought the trombone had such a mellow sound. It was Tommy Dorsey that I really liked.”
He played trombone in an Army band, where a bandmate taught him chords on the guitar, adding to the few he had already been shown by his mother. After mustering out, he was working at his father’s used-car lot in Seattle when Mr. Bogle came in, looking to buy a car. They started talking and hit it off.
Mr. Bogle got Mr. Wilson a job working with him as a bricklayer. They soon realized that, with all the rain in the Pacific Northwest, they had a lot of down time, since many of their jobs were outside. And both of them had rudimentary guitar skills.
“We bought two guitars in a pawnshop in Tacoma, Washington, and we probably paid 10 or 15 dollars apiece for them,” Mr. Wilson said in the film.
The group was just the two of them at first, Mr. Bogle playing lead and Mr. Wilson rhythm. That, of necessity, led them to develop a unique sound, underpinned by Mr. Wilson’s driving approach.
“In the early days Don had to play very rhythmic and strong because they didn’t have a drummer,” Bob Spalding, who first played with the group in 1981 and joined for good after Mr. Bogle’s death, said by email. “Later, when they became a quartet with a drummer, his style never changed, and that unique rhythm guitar drive became a prominent characteristic of the band’s music.”
In addition to their success in the United States (where their other hits included “Walk — Don’t Run, ’64,” a remake of their own hit that also made Billboard’s Top 10), the Ventures became wildly popular in Japan — so much so, Mr. Wilson said, that numerous bands there took to imitating them. That led to an uncomfortable surprise when the band made its second trip there, its first as headliners, in 1965.
“We had an opening group,” he told The San Diego Union-Tribune in 1984, “and they played all of our songs before we went on.”
At his death, Mr. Wilson lived in Covington, Wash. In addition to his daughter Staci, his survivors include three other children, Jill Fairbanks, Tim Wilson and Cyd Wilson; and two grandchildren.
In 2008 John Fogerty inducted the Ventures into the Rock & Roll Hall of Fame. In his induction remarks, he marveled that the group had recorded more than 250 albums.
“Good Lord, think about that,” Mr. Fogerty said. “Nowadays, some of us would be happy to sell 250 albums.”
There are two versions of this song recorded by The Ventures. The first version was recorded on their first Album "Walk Don't Run", released in November 1960. Producer: Bob Reisdorff. With Bob Bogle as the lead guitarist using a Fender Jazzmaster Guitar, Don Wilson as rhythm guitar, Nokie Edwards with bass guitar and Howie Johnson on drums.
The second and current version was a version that played in shows and was recorded on the 11th Album of the group "Bobby Vee Meets The Ventures" in April 1963. Producer: Bob Reisdorff & Snuff Garrett. This with Nokie Edwards as lead guitarist and using techniques from his idol Les Paul. And playing with a Mosrite Guitar. But recorded without the drums evolution part.
The "Escape" song is a Dan Hamilton (click for details) composition for The Ventures in 1966. He is the same author who also composed the song "Diamond Head" which in Japan reached the 1.850.000 copy mark.
"Fugitive" song was originally composed by Lou Josie (click here for details) and played by Jan Davis (click here) in 1964 (A&M 733) and then recorded by The Ventures in June 1964 (Dolton BST-8029 and BLP-2029) on the album "The Fabulous Ventures". Producer: Dick Glasser (click for biography)..
